Mostrando postagens com marcador takarazuka. Mostrar todas as postagens
Mostrando postagens com marcador takarazuka. Mostrar todas as postagens

domingo, 31 de maio de 2009

Linkagem anti-boring

Como eu ando bem imprestável pra blogar, vou fazer uma linkagem inútil à la Thais, só pra não deixar isso aqui às moscas.

- Black Dude Falling - um flash absolutamente inútil e viciante.
- Can you vibrate as much as a sex toy?
- Notícia de abril, mas infelizmente corrente: Women at war face sexual violence.
- E-books.
- Paixãozaça!
- Francesinha que me faz rever meus conceitos sobre filhos.
- Irish joy.
- Duas cenas de filme que eu não esqueço.
- Amazonas x atenienses.
- Perhaps, perhaps, perhaps.
- Masha detonando.
- Primeiro vídeo de 18 partes do musical Phantom pelo Takarazuka. Aproveitem enquanto ainda está no YouTube.

sábado, 25 de abril de 2009

Takarazuka: Sexual Politics and Popular Culture in Modern Japan - Jennifer Robertson


"To Daichi Mao-sama: You were an absolutely new flower. There has been no other star in Takarazuka history who had displayed your gorgeous androgynous elegance. Before you, there were many orthodox otokoyaku . . . but you gave rise to a new type of player of men's roles . . . with your round face, slim body, and sinuous movements . . . When we fans first hear you sing [about love], we were swept away in a strange and fragrant world. Without question your charm was your very womanliness. Not the posturing come-on of mannish females, but an affirmation of a womanliness of female bodies. You symbolized a new era when females could begin to love themselves as themselves.
And so why you became an ordinary woman?
There are a million of actresses. There's no reason for you to become yet another actress who titillates actual males . . . Now all you do is take roles that have you pout at males and say things like, "Why don't you like me?" That kind of role is totally unrealistic; it's a pathetic joke. You've gone from being a jewel to being a mere pebble. I can never forgive your betrayal in playing women who exist for males. When we see you being embraced by a male, it's as though our dreams have been stolen.
You - Takarazuka's new flower, females' freedom and joy, our fin de siècle dream. Why did you become a woman? Just an ordinary woman!?
Yours, Hoshi Sumire."
(pp. 79, 81)


A carta acima foi escrita por uma fã para Daichi Mao (nome artístico de Tada Mayumi), uma antiga atriz do Takarazuka, depois que ela deixou o teatro e se tornou uma 'atriz comum'. A revolta da fã exprime bem o sentimento que ronda o teatro: as otokoyaku são um símbolo de liberdade para algumas mulheres japonesas; deixando de lado a androginia (aqui a representação da liberdade), elas destróem um pouco da esperanças (ou sonhos) das fãs.

É sobre isso que o livro trata: a ambiguidade existente nas relações entre mulheres representando homens; relações entre atrizes e fãs; e, especialmente, a forma como a política japonesa e a política do teatro se alinharam no último século.

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Takarazuka: Sexual Politics and Popular Culture in Modern Japan
Jennifer Robertson
University of California, 1998
278 páginas

quarta-feira, 28 de janeiro de 2009

Takarazuka: Mais anúncios


Mais duas tops anunciaram sua saída na semana passada. Dessa vez, Yamato Yuuga e Hizuki Hana (foto). Elas deixarão o teatro do dia 5 de julho, após o fim da temporada de Rain Falling on Roses / Amour, It's... em Tóquio.

As boas notícias são que, depois de muitos anúncios de retirement e depois de o teatro deixar por muito tempo as fãs de molho esperando pra saber quem vai assumir o lugar de quem, finalmente anunciaram os nomes das sucessoras de Touko e Asuka: a partir do dia 27 de abril, Yuzuki Reon e Yumesaki Nene serão as novas tops do Hoshigumi. Ainda não foram anunciados os nomes das próximas top musume do Yuki e Tsukigumi.

Outra boa notícia é a previsão de estréia, em maio, de uma nova versão de Elisabeth. Será feita pelo Tsukigumi, com Sena Jun, desta vez como der Tod.

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Fontes: Hankyu - Takawiki

quinta-feira, 25 de dezembro de 2008

Novo retirement: Shirahane Yuri


De acordo com o site oficial do Takarazuka, Shirahane Yuri deixará o teatro em 31 de maio do próximo ano, após o encerramento da temporada de Kaze no Nishikie / ZORRO.

A entrevista coletiva a respeito de sua saída acontecerá amanhã.

terça-feira, 18 de novembro de 2008

Mais duas fora...


Notícia atrasada:

Há mais de um mês, Aran Kei anunciou que vai deixar o Takarazuka após a última apresentação da peça My Dear New Orleans / A Beintôt em Tokyo, no dia 26 de abril de 2009. Previsivelmente, duas ou três semanas depois, Toono Asuka também anunciou sua saída.

Mais um casal que mal chegou ao top e já vai embora.

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Fonte: Hankyu

quinta-feira, 16 de outubro de 2008

You'll find us all doing the Lambeth walk!

Confesso que eu sempre torci o nariz para Me and My Girl. Eu até quero ver essa versão recente com a Sena Jun, mas o que me despertou a vontade, mesmo, foi essa versão, com a Amami Yuki:



E agora eu estou viciada na Lambeth Walk.

sábado, 9 de agosto de 2008

Takarazuka Revue: still a fantasy for teens

"Actress Hitomi Kuroki took her first air trip in her final year in high school. She traveled alone from her native Fukuoka to Osaka. The purpose of the trip was take entrance exams at Takarazuka Music School (TMS), a premier training ground for aspiring Takarazuka revue starlets. She had the blessing of her parents, who had decided their daughter could at least give it a try before she left high school.

According to her book "Watashi ga Naku Toki" (When I weep) from Gentosha Inc., Kuroki herself knew at the time that she would get over her infatuation with TMS once she saw how out of place she would be there. And she recalls that when her flight was taking off, Beethoven's "Fifth Symphony" (The Destiny) was playing on the in-flight music channel she was tuned to.

Kuroki passed the exams, which put her among an extremely talented minority. There are preparatory schools for TMS, where intensive singing and dancing courses are offered. Girls aged 15-18 are eligible for enrollment at TMS, but since competition to get in is so severe--only 1 in 20 succeeds--many girls fail the entrance exams and eventually quit.

But TMS is overhauling its entrance tests next spring. It will do away with the compulsory singing and ballet tests, and the preliminary test will be in interview form to evaluate the candidates' looks and "star quality." In the follow-up test, the candidates will be judged on their singing and ballet, but the focus will be on whether they have basic abilities.

According to TMS, the overhaul is aimed to throw the doors open wider. Girls who have been thoroughly trained in the "entrance exam technique" are certainly skilled, but they all tend to look the same, down to their hairstyles. Rather than attracting only these cookie-cutter candidates, the school would like amateurs to try out so that truly unique talents might be discovered.

I recently visited a prep school in Tokyo, where black leotard-clad girls were undergoing intensive training despite the summer holiday season. The school's director, a former Takarazuka revue member, noted: "People talk about discovering diamonds in the rough, but you can't really spot a future superstar from among total novices. If TMS wants to attract more candidates, a quicker way would be to get more high school girls to see Takarazuka shows on their school trips."

TMS's motto is "Kiyoku Tadashiku Utsukushiku," which translates as "with purity, righteousness and beauty." But the school is better known for the rigid discipline it expects of its students during their two years there.

Numerous paths are available today for young people aspiring to show business careers, but about 1,000 teen girls still keep knocking on TMS's heavily guarded doors.

Seen from the outside, Takarazuka's legendary status appears to be quite intact, but I suppose people inside think differently.


The bigger the fantasy, the more work it seems to require to maintain it."

The Asahi Shinbun - 28/07/2008